The Collected Poems
书名：The Collected Poems
作者：Sylvia Plath
[1]
That all merit’s in being meat
Seasoned how he’d most approve;
Blood’s broth,
Filched by his hand,
Choice wassail makes, cooked hot,
Cupped quick to mouth;
Though prime parts cram each rich meal,
He’ll not spare
Nor scant his want until
Sacked larder’s gone bone-bare.
[2]
The moon’s man stands in his shell,
Bent under a bundle
Of sticks. The light falls chalk and cold
Upon our bedspread.
His teeth are chattering among the leprous
Peaks and craters of those extinct volcanoes.
He also against black frost
Would pick sticks, would not rest
Until his own lit room outshone
Sunday’s ghost of sun;
Now works his hell of Mondays in the moon’s ball,
Fireless, seven chill seas chained to his ankle.
[3]
Hearing a white saint rave
About a quintessential beauty
Visible only to the paragon heart,
I tried my sight on an apple-tree
That for eccentric knob and wart
Had all my love.
[4]
All summer we moved in a villa brimful of echoes,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stepping black goats woke us.
Around our bed the baronial furniture
Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
[5]
No deaths, no prodigious injuries
Glut these hunters after an old meat,
Blood-spoor of the austere tragedies.
Mother Medea in a green smock
Moves humbly as any housewife through
Her ruined apartments, taking stock
Of charred shoes, the sodden upholstery:
Cheated of the pyre and the rack,
The crowd sucks her last tear and turns away.
[6]
I’m a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf’s big with its yeasty rising.
Money’s new-minted in this fat purse.
I’m a means, a stage, a cow in calf.
I’ve eaten a bag of green apples,
Boarded the train there’s no getting off.
[7]
The month of flowering’s finished. The fruit’s in,
Eaten or rotten. I am all mouth.
October’s the month for storage.
This shed’s fusty as a mummy’s stomach:
Old tools, handles and rusty tusks.
[8]
Clownlike, happiest on your hands,
Feet to the stars, and moon-skulled,
Gilled like a fish. A common-sense
Thumbs-down on the dodo’s mode.
Wrapped up in yourself like a spool,
Trawling your dark as owls do.
Mute as a turnip from the Fourth
Of July to All Fools’ Day,
O high-riser, my little loaf.
Vague as fog and looked for like mail.
Farther off than Australia.
Bent-backed Atlas, our traveled prawn.
Snug as a bud and at home
Like a sprat in a pickle jug.
A creel of eels, all ripples.
Jumpy as a Mexican bean.
Right, like a well-done sum.
A clean slate, with your own face on.
[9]
The abstracts hover like dull angels:
Nothing so vulgar as a nose or an eye
Bossing the ethereal blanks of their face-ovals.
Their whiteness bears no relation to laundry,
Snow, chalk or suchlike. They’re
The real thing, all right: the Good, the True—
Salutary and pure as boiled water,
Loveless as the multiplication table.
While the child smiles into thin air.
[10]
Gold mouths cry with the green young
certainty of the bronze boy
remembering a thousand autumns
and how a hundred thousand leaves
came sliding down his shoulderblades
persuaded by his bronze heroic reason.
We ignore the coming doom of gold
and we are glad in this bright metal season.
Even the dead laugh among the goldenrod.
The bronze boy stands kneedeep in centuries,
and never grieves,
remembering a thousand autumns,
with sunlight of a thousand years upon his lips
and his eyes gone blind with leaves.
评论